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 Jazz Pop ,City pop  80s ( Tatsuro yamashita ) ,indonesian  song from  youtube Channel Arftiez  Music  ,pop Hits , 80s from old files  ,Rnb / soul  from other radios  and old files  ,Smooth Jazz Vocal  from old files  ,Lite Jazzy tunes Picked  from  Old files , Luxiorious  Lite Jazz Picked from files

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Jazz abe  Has many stasion from Japan ,Spain ,Europe ,Africa & mexicoJazz abe based in South Jakarta ,Jakarta ,Indonesia Jazz abe has many listeners from only one  Website on Onlineradio.eu is 473 Listeners  all around the world Jazz abe Has peaked  number 1 on   indonesiaplay with the most listened  radios and most searched on google 

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Smooth jazz took over 90s 

How smooth jazz took over ’90s radioTracing the rise and fall of smooth jazz.
In 1986, a young Kenny G appeared on one of Oprah’s very first nationally televised shows. A decade later he (and his saxophone) had become a cultural phenomenon. From golf commercials to a presidential inauguration, Kenny G had hit his peak.

But it wasn’t just Kenny G. Smooth jazz, the music he’d come to be the face of, was quickly taking over the radio. Smooth jazz didn’t start with Kenny G, though he did quickly become one of its most ardent mascots. It started in the late 1960s when virtuosic jazz artists, facing declining record sales, began incorporating pop elements in their music to reach a wider audience.
A shining example of that sound can be heard in Wes Montgomery’s cover of Little Anthony and the Imperials’ “Goin’ Out of My Head.” While most jazz at the time was based on highly improvised solos, Wes Montgomery strictly stuck to the hook that radio listeners couldn’t get out of their heads. It was a hit, to the dismay of jazz purists, and helped establish a formula for smooth jazz we know today.
The video above traces the rise and fall of smooth jazz, and the playlist linked below offers some of the best tracks the style of music has to offerSource By : Vox earworm

TURNING BACK TIME WITH THE TAG HEUER AQUARACER



Exploring the evolution of the TAG Heuer Aquaracer family

Today, we’re looking back at the evolution of one of our signature timepieces, the TAG Heuer Aquaracer. We dug into the archives to learn more about this special watch, from it’s very first tick to today.The Aquaracer, an iconic model of the TAG Heuer diving range, is a timepiece that brings our philosophy of resilience, strength and reliability to life – without ever sacrificing the timeless elegance essential to any classic. The TAG Heuer Aquaracer has found its perfect match in icons of the cultural kind – from cinema’s favourite spy, all the way to a certain US president — and has graced the wrists of many a real-life hero. A watch for the deep sea explorer, the everyday adventurer, and the fearless innovator… whether above or below the waves.
1910 Heuer ad - New Chronographs Watches with Hermetic Cases
THE LIFE AQUATICTo dip beneath the surface of the TAG Heuer Aquaracer’s story is to discover a particularly high-stakes moment in the history of ocean exploration. During the post-WWII era, ‘clearance’ divers were much in demand; these intrepid heroes dove to the ocean floor in order to diffuse and remove mines from ports and bays, where explosions might have caused further casualties. Timekeeping devices that were water resistant and reliable enough for carefully timed operations became an essential tool for such service. These stringent military specifications would leave their mark on the legacy of dive watches forever.  
 
Another dramatic influence on the story of diving came from French oceanographer Jacques Cousteau – and his famous 1956 film The Silent World, co-directed by Louis Malle, which won a Palme d’Or at Cannes. The film’s stunning cinematography – and the sheer beauty of the underwater realm it revealed – created a surge in the popularity of recreational diving around the world. Exploring the depths of the world’s oceans suddenly seemed possible as a leisure pursuit; and the demand for associated equipment, including dive watches, increased dramatically.
In the 70s, it was commercial diving that furthered dive-watch innovations. Deep sea exploration (often driven by the hunt for oil, which saw huge investment with successive crises) required divers to stay far below the surface for long periods of time. Known as “saturation diving”, this requires professional divers to be acclimated gradually with a series of pressurised chambers. While this process worked well for divers, it proved disastrous for traditional dive watches; while “decompressing”, or returning to the atmosphere of dry land, the watch crystals would pop off, as pressurised gases had no other way of escaping the watch. The hunt for a viable solution was on.
Extract from the Heuer Times n°3 1979
ONCE UPON A TIME, HAPPILY EVER AFTERThe roots of the TAG Heuer Aquaracer as we know it today go all the way back to the 1950s and 60s, when the US market made strong demands for dive watches. One might even look just a touch further back at the Heuer Solunar released in 1949 as a pre- precursor to the Heuer dive watches. This was a tool-watch that tracked high and low tides, invaluable information for sailors and fishermen. In 1950, the design was further improved upon in the Heuer Mareographe, which also offered a functional chronograph. Neither of these models was water-resistant nor considered a dive watch, but they do embody a certain functional, marine through-line.
 
A couple of decades later, in the midst of the industry’s infamous “quartz crisis”, Heuer (not yet TAG Heuer) looked beyond the horizon, meeting the great demand for a recreational diving watch with the ’844’, released in 1978. This user-friendly dive watch proved a huge success, becoming one of Heuer’s most beloved (and celebrated) models.
Produced in France for Heuer by Monnin, the earliest editions of the dive watch were nicknamed accordingly – they’re rare, but it’s still possible to find a few original, made-in-France “Monnin” models. On the lookout? Keep your eyes peeled for the automatic Heuer 844, the quartz 8440, or the women’s automatic 756. These early timepieces would pave the way for a range of diving watches with a whole spectrum of specifications. 
 
After the 1978 release of the Heuer 844, the next leap forward would come in the form of the Super Professional, launched in 1984 – designed specifically for commercial divers. Water-resistant up to 1000m, it featured a resilient monobloc case design which did not allow gas into the watch up to the certified depth, preventing any decompression issues. Alongside its super-secure case, the watch’s matte finish, luminous details, and a unidirectional bezel with big, easy-to-grip teeth made it a must-have for working divers.
So what exactly makes a TAG Heuer diving watch distinct? If we look back to the roots of the Aquaracer family tree, there are six design fundamentals that began with the Heuer 844, and still remain in the latest models. The ‘family traits’? Scratch resistant crystal, a unidirectional bezel, screwed-down crown, luminous dial and hands, double safety class on the bracelet, and 200m water resistance. These features unify the collection from the very beginning of the story to today, creating a clear lineage of resilience and reliability in this adventurous watch family, and were in fact so strong that they would guide most of the TAG Heuer designs in the 1980s and 1990s.
 
A final TAG Heuer touch for our dive watches? The 844’s distinct 42mm case, larger than similar models of its time, remains a signature of the TAG Heuer diving watch family, while being complimented by a range of additional sizes to accommodate all wrist sizes.
1986 French Ad emphasizing the phosphorescent dial of the Heuer 1000
MAKING A SPLASHWhile the Heuer and TAG Heuer dive watches were originally released with pure utility in mind, over time they began to develop various elegant aesthetic touches. The diving range evolved through small iterations in design and continuous improvement, always loyal to the six main design principles. There have been tweaks to hand and bezel design, and explorations of diverse materials, textures and finishes. 
 
Consider the legendary Heuer “Night Diver”, originally released in the 1980s. There’s no mistaking its dramatic black-coated case and fully luminous dial. This particular model was thrust into the spotlight (and the pop cultural record) when worn by a famous fictional secret agent on the big screen. And we couldn’t possibly forget the solid gold diving watches of the late 80s. These models, released during the gilded heyday of Wall Street, boldly entered the upper echelons of luxury design during a period when the dive watch transition from being a tool to a status symbol.
 
In 2003, the TAG Heuer Aquagraph marked a technological leap forward – as the very first underwater chronograph. The watch featured a large, yellow center minute recording hand useful to time decompression stops, a helium escape valve, and was water-resistant to 500m. The TAG Heuer Aquaraph took dive watches to new heights – or rather, to new depths.
One design element that’s emerged as a strong link in the TAG Heuer dive watch collections is a signature orange, which has appeared since the 80s in accents and as a dial colour; the TAG Heuer Aquaracer Bamford limited edition released in 2020, for example, embodied innovation in ergonomics and style with its distinctive titanium case featuring flashes of iconic TAG Heuer orange. 
TAG Heuer Aquaracer Bamford Limited Edition (WAY208F.BF0638)
All the way from the original Heuer 844 to today’s Aquaracer, TAG Heuer’s diving watches have been a continuous, evolving manifestation of our philosophy; born out of utility, and boldly going where no diving watch has gone before.
Source by : Tag Heuer magazime

Earth wind & fire behind the music of after the  love has gone 


One of the song's writers David Foster worked on an album for Motown Records singer Jaye P. Morgan. The album was released in Japan and never took off in the United States. Foster later went to Motown to let the executives hear some of the material. Foster was in the middle of a song and ad-libbed the chorus to "After The Love Has Gone", as he had forgotten the words. Foster and Jay Graydon (Foster and Graydon would go on to record one album as a duo called Airplay) then asked Bill Champlin to write lyrics to the music. At the time, Foster was producing Champlin's 1978 solo debut Single for Full Moon/Epic Records and was working with Earth, Wind & Fire around the time they were recording their album I Am. Foster then showed Maurice White the song, which White loved and wanted to record it. Foster and Graydon later told Champlin that the song was being pulled off his album for inclusion on Earth, Wind & Fire's album - to which Champlin agreed to having the track removed.[2] According to former manager turned Sony Music Entertainment CEO Tommy Mottola, Foster previously offered the song to Hall and Oates, but they rejected it, as they weren't interested in singing songs written by anyone other than themselves.[3]

Co-writer Graydon commented about the song's background:

David and I also recorded the song for the Airplay album, but that was not a problem since the EWF version was released before the Airplay album. By the way, the Airplay version is the original version of the song with the verses in the key of A. The EWF version verses are in the key of F, using a 'shotgun pivot chord' halfway through the B section as to get in the proper key for the choruses. Note that the EWF version features the high harmony part in the choruses, which makes the listener think that is the melody! That always bothered me since it is very difficult for one singer to sing the song as the vocal range is much too wide.[4]

Earth, Wind & Fire member Verdine White revealed that "After the Love Has Gone" was one of their most difficult songs to record:

"The track was based on a vibe. We cut it about six, seven times, and Maurice just said, "No, it's not right yet. We'll come back and get it tomorrow. It's not right yet". And then one day we nailed it, and it was right. The way it felt. It sounded like Earth, Wind & Fire".

One of my youtube influencer s are making watch brand and collaboration with boldr

His name is Adrian , he is from Indonesia his ambition is making watches from guitar strings  and now his line of watches are reviewed by other influencer like Just one more watch from Australia and many more and he make line of watches collaboration with boldr  x timeindo are made with sw - 200 movement  and his line of watches too  the name are mw timepiece  the  type are  legatodiver  

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